WELCOME TO MY BLOG.

I've always had an interest in gardens and in the natural world. I soon realized that these were more than just flowers to me, but people, places, pictures, history, thoughts...
Starting from a detail seen during one of my visits, unexpected worlds come out, sometimes turned to the past, others to the future.

Travel in a Garden invites you to discover them.

Sunday, April 21, 2019

Birds Nest, Apple Blossom and Primroses.



[...] the only master I longed for would not teach, i.e. old William Hunt, whose work will live for ever, as it is absolutely true to nature. We used to see a good deal of him at Hastings, where he generally passed his winters, living in a small house almost on the beach under the East Cliff, where he made most delicious little pencil-sketches of boats and fishermen. I can see him now, looking up with his funny great smiling head, and long gray hair, above the poor dwarfish figure, and his pretty wife, with her dainty little openwork stockings and shoes, trying to drag him off for a proper walk on the parade with her daughter and niece, where he looked entirely out of character. I remember "That Boy," too, whom Hunt taught to be anything he chose as model, blowing the hot pudding, fighting the wasp, or taking the physic; the apple-blossoms and birds'-nests, with their exquisite mosses and ivy-leaved backgrounds, were found in the hedges and gardens about Hastings.



From Recollections of a happy life, being the autobiography of Marianne North, by North, Marianne, (1830-1890), 1892.

Birds Nest, Apple Blossom and Primroses, William Henry Hunt (1790-1864), Watercolour, bodycolour and gum, on paper 
© Birmingham Museums and Art Gallery


Saturday, April 20, 2019

Words in pictures: apple blossoms

Victoria Fantin-Latour, neé Dubourg (1840-1926)

Gustave Courbet (1819-1877)

Henri Fantin-Latour (1836-1904) 
Fleurs de pommier, 1873. Oil on canvas


Martin J. Heade (1819-1904)
Hummingbird and Apple Blossoms, 1875. Oil on canvas 

Kreyder Alexis Joseph, 1839-1912

Natalia Goncharova (1881-1962)  




Saturday, April 13, 2019

Six maps sculpted in relief at Church of Santa Maria del Giglio, Venice.

Wandering in Venice is always a rewarding activity, above all when you have nothing else to do. 

This is how I discovered the Church of Santa Maria del Giglio and its imposing baroque façade conceived by Antonio Barbaro as celebration and perpetuation of his glory and fame.

Antonio Barbaro was born in 1627 in a poor family that lived not far from this church in Sestriere San Marco, but he became a well known character in the political and military life of Venice. In his last will, he left money, detailed instructions and a drawing to transform the façade of the church in a celebration of himself and his family; not an unusual practice in Venice in the Seventeenth century.

"The only religious symbols" writes Ruskin in his Stones of Venice "...being statues of angels blowing brazen trumpets, intended to express the spreading of the fame of the Barbaro family in heaven." The statue of Barbaro, "in armor, with a fantastic head-dress", stands over the entrance, between the personifications of the Glory, the Cardinal Virtues and the statues of his four brothers "in niches, two on each side of it, strutting statues, in the common stage postures of the period." Ruskin lingers on their description while I was more interested in the bas-reliefs of naval battles and of six plans of different towns that decorate the façade.
Ships, sails, waves and clouds sculpted in relief evoke scenes familiar to Barbaro and the plans of the fortified bastions of Zara (Zadar), Candia (Crete), Padua, Rome, the Island of Corfù and Spalato (Split) recall places related to these battles and to his life.

I keep wandering...



ZARA

CANDIA

PADOA

ROME


CORFU'

 SPALATO





Photos:
TravelinaGarden, Venice 2018


John Ruskin, The Stones of Venice, Volume 3. 1853

http://www.gutenberg.org